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July 24, 2009 at 11:00am

CONCERT REVIEW: The Lovvers, Stone Believer, Eddie Nebula and the Plague

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After watching teenage boys polish their antlers and beat the shit out of each other at Warped Tour last week, it was nice to see a little dance floor etiquette at the Bug Jar Thursday night as the crowd bounced and collided to England's The Lovvers. The Lovvers play loose, mid-tempo, catchy punk that doesn't waste time with gloss. It rocked steady and fun with its guts exposed. Raw is where it's at. Kinda like The Damned, just not so angry. You could call 'em The Darned, I suppose, but that kind of language might get me sent to heck.

Though a lot more fleshed out on record, Stone Believer pulled off a stunning set as a lowly trio Saturday afternoon at this year's Boulder Fest. The tones were experimentally placed, though classic - especially when the bass and guitar walked the same line. I suspect some drop tuning here as well. And the distortion was real as the signal was hot and thick, and too much for the speakers to woof and tweet out cleanly. It was a rabid and ragged bark through vintage tweed.

Material-wise this band is locked in several periods of transition and weirdness from the early to mid-1970's, namely psychedelic rock and funk. It's part Blue Cheer, part P-Funk, as exhibited in the band's tune "Do You Like To Party," during which Eddie Nebula joined the band on stage to add some vocals from his oh, I don't know, at least four-octave voice.

Eddie Nebula and the Plague followed and finished poking holes in the sky, just barely finishing its set before it began to rain hammers and nails. Part of the Plague's charm is its smart aleck-in-the-back-of-the-classroom take on stage. And if I didn't know Nebula's lovely wife, I'd probably peg him as a miserably married slob who is a just a couple of clicks shy of a shooting spree.

The reason I've always dug this band is its tight sound despite the rag tag assembly; you've got very different musicians here, yet they pull together as one united front, and sounded good as ever even when descending into irony with covers of songs by Judas Priest and Guns ‘n' Roses.

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