I believe in almighty — the almighty loud, that is. I'll get behind it, or rather in front of it, if it's paired up with good. That's what I got Thursday night following an incredible and incredibly funny set from Anglo hippity-hoppers Garden Fresh. These guys are the perfect blend of brainiac and maniac.
But back to loud. Buffalo power trio Patrons of Sweet's line check was a bit shrill, yet during its roughly hour-long set at Tala Vera the blend was appropriate and served the songs well. This is a very good band in the line of proto-punk like Fugazi and any number of bands you'd find in every teenager's collection (back when I was a teenager, anyway, in the 1900's). That's not to say it's dated, it's just that the music moves within beloved parameters while still managing to forge ahead. I can't wait to see this band again.
Headliners Abandoned Buildings Club produced a wall of sound and thunder thanks to two — count 'em — two drummers. This didn't muddy the focus a bit, but as you can imagine it added to the drive of the bass and guitar, along with vocals with heaps of vintage-cool slap back. I call for more slap back, please.
Caught Barrel Harbor's set as part of a five-band bill at Montage Music Hall Saturday night. It was loud, mid-tempo hardcore that left room for spots of acceleration that the band could have taken better advantage of. Still and all, the band's low and loud brutality was pretty cool.
I haven't written about Buddhahood in a while, and in fact I've never written about the version of the local band that I saw later that night. What an incredible show. Still in the throes of assorted line-ups, this version rocked steady, rocked hard, and rocked out in not so much a hippy jam but a polyrhythmic brass-tacular rock 'n' roll tempo tantrum.
Pianist Pascal Le Boeuf is a 21st century renaissance man. He’s made inroads in the worlds of classical music, indie-rock, and jazz. With his identical twin brother Remy, he’s won top awards in various international songwriting competitions. “Pascal’s Triangle” finds Le Boeuf in a jazz trio setting with excellent partners Linda Oh on bass and Justin Brown on drums.
“Tango Caliente,” the new album by The Jay D’Amico Quintet, is so good it may make you wonder why D’Amico is not better known. Over his four decade career he’s collaborated extensively with bassist Milt Hinton, and from 1984 to the night before 9/11, D’Amico was pianist in residence at Windows on the World, the restaurant at the top of the World Trade Center.
It’s a singles market these days, so when an album gets released it feels like a big deal. “Back For More” is a debut album from Rochester based rapper Mike Parlayan, aka Homiside.
Pianist Pascal Le Boeuf is a 21st century renaissance man. He’s made inroads in the worlds of classical music, indie-rock, and jazz. With his identical twin brother Remy, he’s won top awards in various international songwriting competitions. “Pascal’s Triangle” finds Le Boeuf in a jazz trio setting with excellent partners Linda Oh on bass and Justin Brown on drums.
“Tango Caliente,” the new album by The Jay D’Amico Quintet, is so good it may make you wonder why D’Amico is not better known. Over his four decade career he’s collaborated extensively with bassist Milt Hinton, and from 1984 to the night before 9/11, D’Amico was pianist in residence at Windows on the World, the restaurant at the top of the World Trade Center.
It’s a singles market these days, so when an album gets released it feels like a big deal. “Back For More” is a debut album from Rochester based rapper Mike Parlayan, aka Homiside.